17 years of feature-film visual effects: compositing, 3D integration, matte painting, set extension and supervision. From Jhund and Naal to upcoming Karmvirayan and Chori 2.
Every shot moves through five stages. I supervise each transition and personally compose the final frames that go to DI.
Camera tracking, lens distortion, lighting reference, edge detection. The foundation every shot rests on.
Surgical mattes, fine edge work, hair detail. Mocha Pro for planar tracks, Nuke for keyer chains.
Maya, 3ds Max, Cinema 4D, Houdini for set extensions, vehicles, environments. Real Flow for fluids, PFTrack for matchmove.
Multi-pass deep comp in Nuke and After Effects. Color script, grain match, lens artifacts — making the impossible look filmed.
Theatrical-grade EXR delivery, DI roundtrips, DCP-ready conform. DaVinci Resolve for the final pass.